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The filmmaker behind the classic of The Naked Gun, David Zucker, has reignited his criticism concerning the newly released revival featuring Liam Neeson, after briefly appearing to adopt a more conciliatory tone following the premiere of the film's cinema debut.

Director's Disapproval of the New Film's Style

In a recent interview, Zucker expressed that Seth MacFarlane, the producer behind the new Naked Gun and previously the filmmaker and script collaborator of the Ted movies, "completely failed to grasp" the parody genre approach that Zucker, together with his partners Jerry Zucker and Jim Abrahams, made famous in Airplane! and the initial trilogy of Naked Gun films.

"My brother, Jerry, and our partner, Jim Abrahams, began creating spoof comedies 50 years ago, and we developed a unique approach – and we did that so well that it looks easy, clearly. People started copying it, like the new film's producer for the recent reboot. He totally missed it."

He added: "It might appear that we're just randomly trying ideas to see what sticks, but we're not. There's thought behind it."

Leslie Nielsen's Legacy

Zucker added that it was futile to produce the film without Leslie Nielsen, who played Frank Drebin and who died in 2010, remarking: "They tried to replace Leslie Nielsen in the recent revival, and you can't replace him. Nobody else is capable of that."

Previous Reservations and Shifting Tone

Zucker had previously objected to the decision to proceed with a Naked Gun reboot, remarking last year that he was "not excited about having the franchise given to different individuals". Adding: "I have not been approached to make a cameo or participate in scripting. Whether or not they're going to do a good job with it, this kind of spoof, I mean it's not rocket science, but it's not easy."

Nonetheless, after a string of positive reviews and impressive financial performance following its launch in August, Zucker adopted a more agreeable stance, saying: "I am pleased by it because it just demonstrates there's a strong market for comedy in movie theatres, and spoof in particular."

Renewed Disapproval Over Financial Aspects

Yet, Zucker returned to the attack in the new interview, criticising the amount of money involved. "Big budgets and comedy are opposites, and in the recent reboot, you could see that they invested heavily on scenes full of technical pizzazz while trying to copy our style."

He added: "Everybody's in it for the money now, and that seems to be the sole motivation why they decided to produce a fresh installment."